Torben Eskerod

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Torben Eskerod (b. 1960) is educated from Aalborg University (1980-86) and has studied at Aarhus School of Architecture and Fatamorgana School of Photography in Copenhagen (1988-91). Eskerod’s projects find common ground in his interest for contemplation and spirituality. He is especially known for his portraits in series like Equivalence (1995), Cassadaga (2000), Life and Death Masks (2001), Friends and Strangers (2006) and Campo Verano (2008). His aproach to the spiritual potentials for photography is further explored in the series Marselis (2012) and Can Lis (2013). Eskerod’s work has been published in the books Ansigter/Faces (Ministry of Culture’s photographic bookprice, Forlaget Rhodos, 1997), Register (Ny Carlsberg Glyptotek, 2001), Campo Verano (Kehrer Verlag, 2008) and Marselis (Kehrer Verlag, 2014). His architectural photographs and portraits have been published widely in several different projects like Statens Museum for Kunst (Arkitektens Forlag, 1998), Vita (University of California Press, 2005), The Club, (Rönnells, 2008), Will to Live (Princeton University Press, 2009), Frederik VIIIs palæ (Aristo, 2010), Kunst på Borgen, (Permild & Rosengreen, 2013) and Anton Rosen (Forlaget Vandkunsten, 2013). Eskerod is also the photo editor at Daylight & Architecture Magazine published by Velux. Eskerod has exhibited at the National Portrait Gallery in London, the Scottish National Portrait Gallery in Edinburgh, Andy Warhol Museum in Pittsburgh, Museum of Modern Art in Moskow, Ny Carlsberg Glyptotek in Copenhagen, Overgaden Institut for samtidskunst in Copenhagen, Blue Sky Gallery in Portland, Peter Lav Gallery in Copenhagen and Yossi Milo Gallery in New York. He has received several prices and grants and is represented in a wide range of private and public collections like the National Portrait Gallery in London, The Museum of Photography, Brandts in Odense, The National Museum of Photography, Denmark, Museum of Fine Arts, Houston and Portland Art Museum, Oregon. Torben Eskerod is represented by Peter Lav Gallery, Copenhagen.

Damaged Portrait #4
Damaged Portrait #4, 2015, Archival inkjet print on Hahnemühle Fine Art Paper, framed, museum glass, 83,5 x 69,5 cm/135 x 110 cm, edition of 5
Damaged Portrait #3
Damaged Portrait #3, 2015, Archival inkjet print on Hahnemühle Fine Art Paper, framed, museum glass, 83,5 x 69,5 cm/135 x 110 cm, edition of 5
Damaged Portrait #2
Damaged Portrait #2, 2015, Archival inkjet print on Hahnemühle Fine Art Paper, framed, museum glass, 83,5 x 69,5 cm/135 x 110 cm, edition of 5
Damaged Portrait #1
Damaged Portrait #1, 2015, Archival inkjet print on Hahnemühle Fine Art Paper, framed, museum glass, 83,5 x 69,5 cm/135 x 110 cm, edition of 5
Installation view Torben Eskerod – Marselis
Installation view, Marselis I series
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Marselis II series, 2014, Archival inkjet print, framed, 63 x 76 cm, 5 Ed.
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Marselis II series, 2014, Archival inkjet print, framed, 63 x 76 cm, 5 Ed.
Torben Eskerod-Marselis II – installation view Peter Lav Gallery
Installation view, Marselis II series
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Life and Death Masks, 2001, 75 x 60 cm, Digital C-print, 5 Ed.
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Installation view, Life and Death Masks series
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Campo Verano 2009. 90x60 cm. Digital C-print. Edition of 5 Campo Verano 2012. 150x100 cm. Digital C-print. Edition of 3.
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Campo Verano 2009. 90x60 cm. Digital C-print. Edition of 5 Campo Verano 2012. 150x100 cm. Digital C-print. Edition of 3.
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Installation view, Campo Verano series
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